Richard Edward "Eddy" Arnold (May 15, 1918 – May 8, 2008) was an American country music singer who performed for six decades. He was a so-called Nashville sound (country/popular music) innovator of the late 1950s, and scored 147 songs on the Billboard country music charts, second only to George Jones. He sold more than 85 million records. A member of the Grand Ole Opry (beginning 1943) and the Country Music Hall of Fame (beginning 1966), Arnold ranked 22nd on Country Music Television's 2003 list of "The 40 Greatest Men of Country Music."
Background information From Wikipedia, the free encyclopedia
Arnold was born on May 15, 1918, on a farm near Henderson, Tennessee. His father, a sharecropper, played the fiddle, while his mother played guitar. Arnold's father died when he was just 11, forcing him to leave school and begin helping on the family farm. This led to him later gaining his nickname - the Tennessee Plowboy. One of his brothers, PFC John Hendrix Arnold, fought in World War II and died in the Normandy landings. Arnold attended Pinson High School in Pinson, Tennessee, where he played guitar for school functions and events. He quit before graduation to help with the farm work, but continued performing, often arriving on a mule with his guitar hung on his back. Arnold also worked part-time as an assistant at a mortuary.
In 1934, at age 16, Arnold debuted musically on WTJS-AM in Jackson, Tennessee, and obtained a job there during 1937. He performed at local nightclubs and was a permanent performer for the station. During 1938, he was hired by WMPS-AM in Memphis, Tennessee, where he was one of its most popular performers. He soon quit for KWK-AM in St. Louis, Missouri, followed by a brief stint at WHAS-AM in Louisville, Kentucky.
He performed for WSM (AM) on the Grand Ole Opry during 1943 as a solo artist. In 1944, Arnold signed a contract with RCA Victor, with manager Colonel Tom Parker, who later managed Elvis Presley. Arnold's first single was little noticed, but the next, "Each Minute Seems a Million Years", scored number five on the country charts in 1945. Its success began a decade of unprecedented chart performance; Arnold's next 57 singles all ranked in the top 10, including 19 number-one successes.
In 1946, Arnold scored his first major success with "That's How Much I Love You". In 1948, he had five successful songs on the charts simultaneously. That year, he had nine songs in the top 10; five of these were number one and scored there for 40 of the year's 52 weeks. With Parker's management, Arnold continued to dominate, with 13 of the 20 best-scoring country music songs of 1947–1948. He became the host of Mutual Radio's Purina-sponsored segment of the Opry and of Mutual's Checkerboard Jamboree, a midday program shared with Ernest Tubb that was broadcast from a Nashville theater. Recorded radio programs increased Arnold's popularity, as did the CBS Radio series Hometown Reunion with the Duke of Paducah. Arnold quit the Opry during 1948, and his Hometown Reunion briefly broadcast in competition with the Opry on Saturday nights. In 1949 and 1950, he performed in the Columbia movie Feudin’ Rhythm and Hoedown.
Arnold began working for television in the early 1950s, hosting The Eddy Arnold Show. The summer program was broadcast successively by all three television networks, replacing the Perry Como and Dinah Shore programs. He also performed as a guest and a guest host on the ABCTV show Ozark Jubilee from 1955–60. Arnold featured in the syndicated Eddy Arnold Time from 1955 to 1957. From 1960 to 1961, he hosted NBC-TV's Today on the Farm.
In 1955, he asked songwriter Cindy Walker to write a song for him based on the idea of unrequited love, with the title "You Don't Know Me". They share co-credit for writing the song.
Second career: The Nashville sound
With the rise of rock and roll in the 1950s, Arnold's record sales declined, though fellow RCA Victor recording artist Jim Reeves and he had a greater audience with popular-sounding string-laced arrangements. Arnold annoyed many people of the country music establishment by recording with the Hugo Winterhalter Orchestra at RCA's studios in New York. The pop-oriented arrangements of "The Cattle Call" and "The Richest Man (in the World)", however, helped to expand his appeal beyond its country music base. This style, pioneered by Reeves and Arnold, became known as the "Nashville Sound". During 1953, Arnold and Tom Parker had a dispute, and Arnold dismissed him. From 1954 to 1963, Arnold's performances were managed by Joe Csida; in 1964, Csida was replaced by Jerry Purcell.
Arnold embarked on a second career that brought his music to a more diverse audience. In the summer of 1965, he had his first number-one country song in 10 years, "What's He Doing in My World" and struck gold again six months later with the song that became his most well-known, "Make the World Go Away", accompanied by pianist Floyd Cramer on piano and featuring the Anita Kerr Singers. As a result, Arnold's rendition became an international success. "Make The World Go Away" became his only top ten pop hit.
Bill Walker's orchestra arrangements provided the lush background for 16 continuous successes sung by Arnold in the late 1960s. Arnold performed with symphony orchestras in New York City, Las Vegas, and Hollywood. He performed in Carnegie Hall for two concerts, and in the Coconut Grove in Las Vegas. In 1966, Arnold was inducted into the Country Music Hall of Fame, the youngest performer to receive the honor. The following year, Arnold was voted the first-ever awarded Country Music Association's Entertainer of the Year. Two years later, he released an autobiography named It's A Long Way From Chester County.
Having been with RCA Victor since 1944, Arnold left the label in 1973 for MGM Records, where he recorded four albums, which included several top-40 successes. He returned to RCA in 1976.
Later years and death
Academy of Country Music awarded Arnold its Pioneer Award. His next album, "You Don't Miss A Thing", was not released until 1991. Arnold performed road tours for several more years. By 1992, he had sold nearly 85 million records, and had a total of 145 weeks of number-one songs, more than any other singer.
In 1996, RCA issued an album of Arnold's main successes since 1944 as part of its 'Essential' series. Arnold, then 76 years old, retired from active singing, though he still performed occasionally. On May 16, 1998, the day after his 80th birthday, he announced his final retirement during a concert at the Hotel Orleans in Las Vegas. That same year, the National Academy of Recording Arts and Sciences inducted the recording of "Make The World Go Away" into the Grammy Hall of Fame. In 2000, he was awarded the National Medal of Arts. In 2005, Arnold received a lifetime achievement award from the Recording Academy, and later that year, released a final album for RCA entitled "After All These Years".
Arnold died from natural causes on May 8, 2008, in a nursing home in Nashville, exactly one week before his 90th birthday. His wife of 66 years, Sally Gayhart Arnold, had preceded him in death by two months. They were survived by two children (Richard E. Arnold, Jr., and JoAnn Arnold Pollard), two grandchildren (K. Michelle Pollard and R. Shannon Pollard, Jr.), and four great-grandchildren (Katie E. Pollard, Sophie Pollard, Rowan Pollard, and Ben Johns).
On May 31, 2008, RCA released "To Life" as a single from the album "After All These Years". It debuted at number 49 on the Hot Country Songs charts, Arnold's first entry in 25 years and the recording by the oldest person to chart in Billboard magazine. It set the record for the longest span between a first chart single and a last: 62 years and 11 months ("Each Minute Seems Like a Million Years" debuted on June 30, 1945), and extended Arnold's career chart history to seven decades.
Audio veröffentlicht am 03.03.2015
Veröffentlicht am 01.10.2016 - Recorded in 1996.
Hochgeladen am 24.12.2009
Veröffentlicht am 15.12.2013
Audio hochgeladen am 14.04.2009
Veröffentlicht am 09.10.2014 - #1 song from 1955
Veröffentlicht am 11.09.2013 - recorded in 1949.
Hochgeladen am 28.04.2009 - Recorded December 1, 1966